Landscape Designer Mary Reynolds

Mary's Gold winning Garden at Chelsea 2002, Tearmann sí – A celtic sanctuary

So this post is a first for Stone Art's Blog: throughout the past two years or so that I have been writing this blog I have highlighted many artisans and stonemasons. However this post is the first time I have highlighted a landscape designer. And who better to begin with than one of my favourite Irish designers, award winning landscape designer Mary Reynolds.

Landscape Designer Mary Reynolds

Mary Reynolds, the first Irish winner of a Chelsea Flower Show Gold Medal for garden design, started her landscape design company in 1997, where she began her professional career designing gardens in and around  Dublin city. However over time she began to feel that city life was suppressing her creativity so she moved out of the city to the “wild west “of the Wicklow Mountains. As soon as she got back into the wilderness, not only did she feel inspired for the first time, but she aslo knew where it was that she wanted to bring her skills.

Mary felt the gardens she had been designing in the city were lacking, because they did not have that depth of soul that exists everywhere in wild places. Being once again surrounded by wilderness, Mary realized that this beautiful natural wilderness that is of such great inspiration to her as well as others was disappearing fast because people had become disconnected from it and had forgotten the importance of that connection, so she took it upon herself to create gardens that would bring this connection back into peoples lives.

Tearmann sí – A celtic sanctuary

In 2002 at just 28 years of age, Mary entered the RHS Chelsea Flower Show with her garden ‘Tearmann sí – A Celtic Sanctuary’. Inspired by the Wicklow countryside and her love for Irish mythology, Mary’s garden consisted of a circular stone moon gate lead over a stone path to the inner circle, where the elements of earth, air, fire and water combine. Surrounding the central circle was a grass mound carpeted with bluebell, inspired by Tara Hill in County Meath. Hawthorn and elder, two trees that feature in Celtic lore, formed a protective circle around the very edge of the garden. Enclosing the garden was a traditional dry stone wall, planted with native Irish plants, such as yarrow, thrift, hart's tongue, maidenhair and spleenwort.

Mary's Garden at Kew Gardens

As a result of her Chelsea victory in 2002, the British Government commissioned Mary to design a garden for the world-famous Botanical Gardens at Kew in London.
The garden is based on the imagery and atmosphere of the poem "The Stolen Child" by Irish poet W.B. Yeats.

Mary's Garden at Kew Gardens

Mary was also commissioned to design Brigit’s Gardens in Galway. Brigit’s gardens consists of four interlinked gardens, based on the Celtic festivals of Samhain, Imbolc, Bealtaine and Lughnasa that provide beautiful and tranquil reflective places and are a celebration of nature and the cycle of life.

Imbolc Spring Garden at Brigit's Garden

She had started on the project before her Chelsea win and completed the design later in 2002.

Samhain Winter Garden at Brigit's Gardens

I visited these wonderful gardens a few months ago, but there is so much going on at these gardens I am going to write a separate post about them at a later stage, so that I can write about this magical place in more detail now.

Bealtaine Summer Garden at Brigit's Garden

Lughnasa Autumn Garden at Brigit's Garden 

Some Mary’s favourite materials and structures to incorporate in her designs include stone, sculpted earth shapes, mosaic, living willow structures and cob structures. She also likes to incorporate native planting and Irish mythology.  It is all these qualities that make her one of my favourite Irish designers. I also love that she often includes stone seats. As well as being one of my favourite things to build from stone I have also written about stone seats and their importance in Irish folklore on a number of occasions. 

Here are a few other gardens by Mary that I find inspiering.

The Glenstal garden

Stone seating in The Glenstal garden

Cornwall seaside garden

Cornwall seaside garden

 

Cornwall seaside garden

Photographs courtesy of Mary’s website with her kind permission. Be sure to check out her website for more information and photos of her work on  http://www.maryreynoldsdesigns.com/

Bloom 2010, Ireland’s largest gardening, food and family event.

Here are a few photos of my visit yesterday to the Bloom gardening event , in the the Phoenix Park Dublin.

installation by Hortisculptures

I think my actual overall favourite was the display by Hortisculptures at the main entrance.

A close second was this garden by West Cork designer Anne Hamilton

ISLANDS by Anne Hamilton

Felicia amelloides 'Reads Blue' and Liscannor dry stone walling

More lovely Gardens

CHINA GARDEN by Frazer McDonogh

ECLIPSE 2010 by Paul Doyle

FLORESTA AMAZÔNICA by Amazon Garden Design

G & T by Doylescapes

PATTERNS OF CHANGE...A WINDOW TO THE FUTURE, by Ronnie Nevin & The Landscape and Garden design students from Senior College Dun Laoghaire

THE RAIN GARDEN, by Jane McCorkell

Stone Chairs. Some ancient some not so ancient…Yet….

One of my favourite things to build is stone seats. There is something very special about sitting in a stone seat, it feels very grand, almost throne like. When building stone seats, a portion of my time is spent sitting, making sure that they are comfortable and positioned right. I must admit I have on occasion sat there wondering ‘will this seat still be here in a few hundred years. Will archaeologists be examining it to try and discover what kind of ceremonial uses it once had’ I like to think so!

(I often wonder the same thing about standing stones, Ireland is dotted with standing stones, and in recent years I have noticed it has become a very popular feature in new homes to have a standing stone in the front garden . What is to say that people weren’t doing this a few hundred years ago, maybe one day while building his mud hut, Séan decided to stick a big stone on its side as a nice garden ornament only to have archaeologists hundreds of years later declare it and sacred monument and document it in their books.)

This brings me to the other thing I love about stone seats. There is a rich history of stone seats in Ireland, dating back hundreds of years. Here are some of my favourites.



St Patrick’s Chair and Well

St Patrick’s Chair and Well (also known as the Druids Chair and Well or St Brigid’s Well or St Brigit’s Well) lies within Altadeven Wood, not far from the Ulster Way footpath. The chair is a huge 2m high stone block, shaped like a throne. The Well, which is said to never run dry is another rock, buth this one has a 25cm bullaun, or depression in it. This is filled with natural water. According to folklore, the water within such depressions or bullauns has healing powers and this well is supposed to be good at curing warts.

The Hag’s Chair

   

At the hill top cairns the Cailleach Bhéarra plays a prominent role with regards to stone chairs. In the north, where passage tombs occur, her seats would often stand in the vicinity of these Neolithic structures. A splendid rock chair of the Cailleach is the decorated kerbstone at the main cairn at Loughcrew, County Meath. In a place called ‘The Spellick’, not far from her home on Slieve Gullion in County Armagh, she has another stone seat. Until the early decades of the twentieth century, communal harvest gatherings took place at the Spellick on Bilberry Sunday, and people would sit in the chair as part of the festivites.

Áine's Rock Chairs aka The Mad Chair of Dunany

.. a great stone called "the chair of Aine, or the chair of the lunatics," was located, possibly still is, near Dunany, and the people generally believed that lunatics, actuated by some insuperable impulse, if at liberty, usually made their way to this stone, and seated themselves thrice upon it; and it was generally believed that after having performed that ceremony they became incurable. It was also considered a very dangerous act for persons of sane minds to sit upon this stone, lest they too might become subject to the power of Aine, that is, become affected with lunacy.

The human race were not the only beings supposed to have been affected by the mischievous Aine, since rabid dogs even were said to have come from many parts of the country and flocked around this stone, to the great danger of the neighbours and their cattle: when they remained around the lunatics' chair for some time, they then retired into the sea, as if compelled by some potent invisible power, and the people supposed that they were forced to visit the submarine dominions of Aine, since they were entirely under her subjection.

'Extinct' plant flowers, in Dublin’s National Botanical Gardens

This is a story I have just come across, posted on the RHS website. Apparently just a few minutes drive from where I am sitting, in the National Botanical Gardens in Dublin, an abutilon thought extinct until just a few years ago has produced multiple flowers for the first time.

Abutilon pitcairnense, found only on the small island of Pitcairn near French Polynesia in the South Pacific, was presumed extinct until 2002, when the chance discovery of a single remaining plant by local nursery-owner Carol Warren led to intensive efforts to save it.

The first cuttings, brought back to Ireland by botanist Dr Noeleen Smyth, rooted and produced a single flower in 2005 but were unable to set seed. Now, after several years of bulking up from further cuttings, more than 20 of the plants have burst into flower simultaneously.
"We want to build the most genetically diverse population possible," said Noeleen. "All we have at the moment are clones but we want to see what's happening at a genetic level and get as many individuals as possible."

The original plant has since been destroyed by a landslide, so more cuttings are being distributed to other botanic gardens such as Kew to ensure their long-term survival. It's hoped that within a year or two the plants can be returned to Pitcairn to re-establish a population in the wild.



Original post can be found here http://www.rhs.org.uk/Plants/News/Botanist-preserves-rare-abutilon

Garden Labyrinth

This seven circuit classical hedge labyrinth with enlarged centre, was designed and constructed by
my dad, Fred Wieler in the beautiful gardens, (a labyrinth in it's self) of Hagal Farm - a holistic retreat centre and our family home. Hagal Farm is nestled on the slopes of the Maughanaclea mountains, in the picturesque Mealagh valley near Bantry, in West Cork.

The gardens at Hagal Farm spared out over about four acres, making up a number of different gardens, each with its own character. (but this is another story for another post, sometime in the future) From the car park, little blue sign can be found with the symbol of the labyrinth, pointing down a winding path through some of the wilder gardens. As you wind your way through the gardens, more of the same signs keep you on the right path, to the entrance.

The Labyrinth’s hedges are Lonicera (Lonicera nitida) and was all planted from cuttings approximately five years ago. To walk the labyrinth is about a 360 meter round trip and takes about 10 to 15 minutes.

An ancient piece of local bog Oak makes up the sculptural centre piece.

Summer Shot

Lonicera makes a great hedge, it is easily planted from cuttings and is fast growing. However there is an obvious drawback with this too, it being that, it needs regular trimming. I made the mistake of offering to cut it once, with a hedge streamer, it’s quite a lot of maintenance.

Another big job is mowing the grass, there's no short cuts so when you get to the centre and your mowing is complete, you get to push the mower all the ways around back out again. But it's worth it, and for some people it’s even a pleasure!

The Labyrinth in its second year growing.

Winter Shot

The labyrinth's creator, inspecting the hedges

Video of a swift walk through the Labyrinth

What are labyrinths

'A labyrinth is an ancient symbol that relates to wholeness. It combines the imagery of the circle and the spiral into a meandering but purposeful path. The Labyrinth represents a journey to our own center and back again out into the world. Labyrinths have long been used as meditation and prayer tools.

This labyrinth carving 'Hollywood Stone' found lying face down in a grassy lane near the village of Hollywood in County Wicklow, dates back to around the sixth century.

A labyrinth is an archetype with which we can have a direct experience. We can walk it. It is a metaphor for life's journey. It is a symbol that creates a sacred space and place and takes us out of our ego to "That Which Is Within." '

Labyrinths and mazes have often been confused. When most people hear of a labyrinth they think of a maze. A labyrinth is not a maze. A maze is like a puzzle to be solved. It has twists, turns, and blind alleys. It is a left brain task that requires logical, sequential, analytical activity to find the correct path into the maze and out.
A labyrinth has only one path. It is universal. The way in is the way out. There are no blind alleys. The path leads you on a circuitous path to the center and out again.

For all those who wish to see more Irish labyrinths or fancy to walk one, this one and many more around the country can be found on Labyrinths Ireland http://www.labyrinthireland.com/irish.html


And for those of you who are reading this from abroad, you can find labyrinths from all over the world on the World-Wide Labyrinth Locator. http://labyrinthlocator.com/

 Below are a few other living labyrinths from around the world

The Shell House at Ballymaloe Cookery School

For anyone passing through Co. Cork, in Ireland who has a love for fantastic food and beautiful gardens with all sorts of hidden gems, a visit to Ballymaloe is an absolute must.

Ballymaloe house and gardens are nestled in a 400 acre estate that dates back to the early 1800’s in the rural setting of Shanagarry, East Cork. Alongside this renowned Irish country house hotel and restaurant owned and run by the Allen family for over 40 years is there famous cookery school and gardens. It is here in one of the many individual gardens of Ballymaloe that you will find the Shell House.

As you enter the Shell House garden through the gate, a straight grass path leads towards the Shell House. At the far end of the of the herbaceous border is a deceptively simple little building with a slate roof and gothic windows. When you enter it will take a moment for your eyes to adjust to the light, you then begin to realise that the exterior was indeed a deceptive, careful ploy. The walls, window sills and ceiling are encrusted with a myriad of shells. In the centre of the pebble studded floor is a circular pool of shallow clear water. This extraordinarily beautiful Shell house was Darina Allen’s idea, a surprise present for her husband Tim.

                                                  Inside the shell house
The interior of the shell house was created by the fantastic award winning shell artist Blott Kerr-Wilson in July 1995 and was completed on the 26th of October. The day before Darina and Tim celebrated their silver wedding anniversary.

During the construction

The shells that were used in the creation of this house came from many different sources. Darina had been collecting shells for many years with a vague idea of building a folly. Blott brought some shells with her and more were given as gifts when people heard about the project. Gazing upwards to the ceiling, you will notice how scallops and mussels, laid rank upon rank, increasing in size give the illusion of more light. Every shell used in the roof once encased a mussel or scallop that was consumed at Ballymaloe House or at the Ballymaloe Cookery School.

Ceiling of the shell house, complete with shell chandelier

Tim and Darina designed the building themselves. Tim wanted a very classical building with something completely different hidden inside to amaze and delight when you step across the threshold. Blotts own inspiration for her design came from the time she spent at the Alhambra palace in Granada.

Closeups of various details on the walls

When creating her designs, she would work out the patterns in her head and then sketch the ideas onto the wall with chalk, and she would then cement the shells on. Although Blott like to work at night, she was rarely alone. There was always someone around to watch in wonderment at the work that was progressing. An article from Gardens illustrated, wrights that, soon after Blott began work on the shell house, the school holidays began, and hordes of children descended on Ballymaloe, as her work never ceased to interest and amuse them. In the article, Blott tells “I love to work at night and they would sneak out in their pyjamas, and cycle to the field where I was working. It was just like E.T. I would see the lights of their bicycles lined up outside the shell house and hear them whispering “Shh, Shh” very loudly”

                                Closeup of shell chandelier

Another visitor who came often to review the progress was Tim's father the late Ivan Allen. He gave Blott the inspiration to turn the window sills into seat because when he would come he would sit on the sills and from there he was able to admire the emerging patterns as they were created whilst he was seated.

Sill seat for Ivan. It’s design partly accredited by the shells eaten the day before.

Ballymaloe house and gardens are a magical place, the shell house being no exception. The gardens are open to the public all year round, so do go and see it for yourself, as the memory will stay with you for years to come. Check out their website for more information http://cookingisfun.ie/

For all of those who admire Blotts amazing shell art, you can find more examples of her works on her website
http://www.blottshellhouses.com/index.html

Thanks to Blott and the Allen family for their kind permission for the use of Photographs and information from there lovely websites.