Showing posts with label Make and Do. Show all posts
Showing posts with label Make and Do. Show all posts

Friday, July 22, 2011

Making a mosaic

Click here to see a video of the building of this project
Here is a picture of a project I recently finished for an artist in West Cork. The mosaic in the center was actually a bit of an afterthought. The seating area was initially designed to have a fire pit in the center but later the client decided against the fire pit. I still wanted to have some sort of central feature, so I decided to put in a mosaic instead.
 I have been getting a lot of reaction to the mosaic I made for the center, I also have been getting some feedback from readers saying that they would like to see some more DIY projects posted on the blog. So I thought, why not show how I made this mosaic so people can give it a go themselves. 
Natural stone mosaic
I am in fact going to show two different ways of making mosaics. The first is made the more traditional way, using floor tiles of the same thickness, and the second way (which was a bit of an experiment) involved making a sort of upside-down mosaic cake!  

Mosaics are relatively easy to do and are a great project to get the whole family involved in. They make great features in a garden patio, on a wall or in a summerhouse. Anyone who has been to Gaudi’s, Park Güell, in Barcelona, Spain will know the endless creative possibilities with mosaic art.
The first mosaic I will demonstrate is the more conventional tile mosaic. This type of mosaic can be pre-made and slid into place later. This method is great because this means that it can be made on the kitchen table where the whole family can get around and be involved, it also means that it can be completed over a period of time.

This is in fact a mosaic I did for my parents some years back, I was finishing up a tiling job when I realised we were going to be short of tiles, the tiles were relatively cheap so the boxes came with many broken tiles. So I thought why not put the broken tiles to good use and make a mosaic (and save a trip to the tile store in the process).

So here are a few things you will need if you are going to give this a go!

The first step is to decide on your design, in my case it was a yin yang symbol, but be as creative as you like. Or if you are lacking inspiration, you can also find many mosaic designs and templates on the internet.
When you have decided on a design, transfer the design onto your sheet of plywood to the scale you desire.
Next stretch plastic wrap over the board (this will prevent the mosaic from sticking to the board). Then lay your tile mesh on the board. Use some tape or tacks to keep the mesh in place. If you are finding it difficult to see the design you may want to retrace the design onto the mesh.
If you are using old tiles try and use tiles of the same thickness as it will give you a more even finish. Also take care when breaking up the tiles as the tile fragments can be sharp, be sure to wear gloves and eye protection. It is also advisable to lay an old towel over the tiles as you break them to prevent the fragments from flying around the place.

Now you are ready to start laying the tiles. Using your paint brush put a blob of PVA glue on the back of each piece of tile as you position it on the mesh. (you want to be using enough glue to get a good bond with the mesh without getting to much excess glue squeezing out the sides and through the mesh)
 It can be quite tedious getting all the pieces to fit together like a big puzzle, but try not too worry about the gaps between the pieces as once they have been grouted you won't notice the gaps.
To fix the mosaic in place, get some tile glue either premixed or in powder form (just be sure that the glue is suitable for exteriors if the mosaic is outdoors, rapid set is also preferable). Using a tiling trowel spared an even layer of glue on the surface where the mosaic will sit, then carefully slide the mosaic into place. Lightly press down on the mosaic so that the glue starts to push through the mesh but try not to get it coming to the surface. Wipe off excess glue and leave to set. Once the glue is set to the manufactures specifications, mix up your grout (again make sure the grout is suitable for outdoors)  and squeeze into the gaps with a squeegee and remove residue with a sponge when it starts to set (usually only takes a few minutes). And there you have it, one finished mosaic!

So now I will show you the process I used to make the spiral mosaic for this seating area below.
Click here to see a video of the building of this project

So this mosaic was a bit of an experiment because I needed to make it off site, but I could not make it the conventional way (as above) either as I would be using natural stone which would be of variable thickness resulting in a very uneven finish so I decided I would try and make it similar to an upside down cake, that way the finished mosaic would be perfectly smooth and even.
Hole left in paving for mosaic
There are probably better ways of doing this, but I will now demonstrate the process I used to make this mosaic, using the materials I had to hand in my little garden shed.
So first of all, I knew I wanted to make a spiral and that it had to be a circular shape just under 80cm in diameter as this was the size of the hole I left in the paving for it.
I also wanted to use the same stone I used to create the surrounding paving, so before leaving the site I collected a number of pieces of stone averaging a thickness of about 1cm. In order to get a clear design I only selected pieces that were either light grey or dark brown, to maximize the contrast. I then took my measurements and my stone home with me to work on over the weekend.

So my first step was to come up with a design, I opted to go with a fairly simple spiral design as a very complex design would be very difficult to achieve using natural stone. I then transferred the design onto two large sheets of paper to get it to full scale. Remember if you are planning on trying one of these upside down type mosaics your template drawing should be back to front ( this is important if you have any lettering in your mosaic. Mine is just a spiral so it was not an issue)
I then attached the template onto a piece of plywood (approx 1m² in size) and drew a box around the outside of the circle. At the four points where the box and the circle meet, I attached pieces of 2”x2” timber onto the plywood, then using some strips of hardboard (nice and flexible) that I had laying in the shed, I created the circular mould that would contain the mosaic, by connecting the hardboard strips to the 2”x2” timbers I connected to the plywood.
I was now ready to start laying. (It is important to remember when laying the stone to put the side with the highest contrast facing down so that you end up with a better contrasting design when you're finished)
Laying completed
The picture above shows all the stones placed, however the contrast between the two coloured stones does not seem great. This is of course because we are looking at the underneath of the mosaic and I have the most contrasting sides of the stone facing away.
Next I got a large piece of plastic mesh and cut it to size (the mesh will help keep the mosaic in one piece and prevent it from cracking into little pieces when it comes to laying it later)
I then mixed up a half bag of cement fondue I had in the shed with some sand and water in a bucket into a creamy mixture (not too wet mind you) that would seep into the cracks  (a bag of quick drying cement should work fine as well)  I then poured half the mixture on to the mosaic and spread it out, careful not to move any of the stones.
I then added the plastic mesh and poured the rest of the mixture on top so that the mesh was sandwiched in the middle.
I then left it for a few hours to set. I waited till it was set long enough that it was hard but still soft enough that I could scratch the surface, the reason for this I will explain in a second. So the next task was to flip the mosaic over, to see if the experiment worked at to see if there was enough of a contrast between the two stones to show up the spiral properly.
To do this I put another sheet of plywood on top of the mosaic and screwed it into the 2”x2” timbers below, sandwiching the mosaic which allowed me to flip the mosaic over safely without damaging it. Then sliding the mosaic to the edge of the table I was able to take the screws back out and reveal my creation.
All that was left to do now was scrape any excess cement from between the cracks using a pointed tool (I used a pointed screwdriver and a nail) and brush clean. Because the cement was not completely set yet I was easily able to remove the excess glue.
From here the only thing left to do was transport the mosaic back to site and slide it into the hole on a bed of cement and grout it with a grey grout using the same technique mentioned earlier.
 So I hope this has inspired some of you to give mosaicing a go, and hopefully some of the information here will help you along the way. If you do give it a go, please post a photo of your mosaic creations (or indeed any of your other garden stone art creations) on my stone art facebook page so I can have a look. As for the rest of you who don't already know my facebook page do pop in and give us a 'like', I update the facebook page every few days with lots more interesting things as well as mini post, photos and more.

Thursday, March 11, 2010

Grow our own chairs for national tree week

 1987 Peter Cook
As it is national tree week here in Ireland (7-13 March) at the moment, I thought a tree related post would be appropriate. So what better way to celebrate national tree week, than growing your own chair out of trees!!!!!!!!!
Unfortunately as I am currently renting a house in the centre of Dublin city, so I am unable to get to try this out myself, during national tree week, but as soon as I have time to head out to the home place in the heart of the country side of West Cork, I will be heading to our local nursery (which coincidentally, happens to be one of the best in the country www.futureforests.net/) to pick up some native trees to give this a go. If you click on the picture below, it will take you to a page on ‘Arborsmith Studios’ website where you will see instructions on how to create one of the magnificent chairs.

Click on the picture to see instructions by arborsmith on how to create a tree chair.

When researching for my living willow structures post, I came across many of these living chairs.
The idea of creating these fantastic structures has been around for some time.
Richard Reames creations

Probably one of the earliest depictions of a living chair is in a painting by Jean Perreal, from 1516 called ‘Dialogue between the Alchemist and Nature’.

‘Dialogue between the Alchemist and Nature’ by Jean Perreal 1516
 However probably one of the first people to give it a go, was bank president/cheese maker and naturalist, John Krubsack (1858-1941) who, unsatisfied with ordinary furniture said “Dammit, one of these days I am going to grow a piece of furniture that will be better and stronger than any human hands can build.” And that is precisely what he did. In the spring of 1907 he planted 32 box elders trees, then the following spring he gradually began to train the young stems to grow gradually in the shape of a chair. After the seventh year all the trees were cut, making in all eleven years from the time the seed was sown until the chair was finally completed.
John Krubsack 1908

Following him in 1925 was arbor sculpture and creator of the tree circus, Axel N Erlandson.


Axel N Erlandson 1925

Some of the more resent contributions include Peter Cook, (pictured at the beginning of the post) who in 1987 asked himself, "I wonder if I can grow a chair?" The answer to this question is evident in the picture at the top of the post.

More recently in 2000, sixty year old Chinese chair designer, Mr. Wu has been shaping elm tree branches into chairs. It takes Wu about five years to grow a tree chair, during which time he constantly trims and guides it into shape before harvesting it. He currently has one tree chair in his home, and six more in production.

Mr. Wu 2000

Although there are many more examples, the final example I will mention is Arbor smith and sculpture Richard Reames, (the guy who’s instructions above you all will be using to plant your own chairs). Richard opened Arborsmith Studios (A tree nursery/art studio) 1993. He has grown many of these chars, and in 1995 wrote a book on the matter, simply titled ‘How to Grow a Chair’

Richard Reames 2000

So I hope ye are all inspired now, and that you all go off now on this national tree week to continue on this tradition started over 100 years ago!

Happy planting

There are still a number of events on this weekend, right around the country. To find out what in happening in your area, follow the tree council of Ireland link http://treecouncil.ie/tree_council_national_tree_week.htm

Monday, February 1, 2010

Living Willow Structures

I am currently looking into organising a weekend workshop in live willow structures in West Cork, which has inspired me to write a post on the topic. I have always liked the ides of willow structures and am looking forward to the opportunity of creating one.

Willow has been highly valued since ancient times. The Celts considered it sacred. It has been used medicinally, as a dye plant, to make charcoal and as a timber. In more recent times, as we strive for green alternatives willow is undergoing a renaissance. One of its new uses is to create living willow structures.
Living willow has long been used for fencing. Once developed it makes a very strong and affective barrier for animals, because when willows are planted close to one another and twined together they will actually graft into one another.
Live willow fences are still used in today’s gardens and can be a unique feature in any garden. Long un-rooted willow cuttings (whips) can be used to make these functional and attractive structures/barriers in the garden that will grow and develop throughout the years. For example, woven screens, arbours or bowers over seats, arches, tunnels, children's play domes (which could be interconnected with tunnels if you have the space), and then you could use them to support climbing plants such as roses, honeysuckle, golden hop or clematis.
Any variety with sufficient growth can be used but the faster growing varieties that produce long straight whips are best especially for larger structures. Viminalis varieties are probably the most suitable but others can be used for varying stem colour/leaf/catkin interest within the structure.
In Germany there is a company called Sanfte Strukturen, here they bring living willow structures to an entirely new level. Here is an example of one of there projects.
The Auer World Palace was built in March / April 1998 with 300 volunteers from all over the world.
Marcel Kalberer was assisted by builders, architects and artists, who guide the many different volunteers through the construction of the palace.
While the construction was a social event, the Palace itself would soon be used as a center for community festivities. The full moon events for example are already legendary and have drawn more than 80,000 visitors from near and far. Every event has its own character due to changing cultural activities and light installations.
As the first Living Willow Palace it became a very welcome and necessary tourist attraction in the sleepy countryside between Weimar and Naumburg.
If anyone would be interested in doing a weekend course in living willow structures in the West Cork, please do let me know.

Saturday, October 10, 2009

Placing stepping stones on your lawn

Stepping stones are a great way to create a path through your lawn without being too dominant. They can also help draw your eye down through the garden.

If you are planning on setting stepping stones into a new lawn, it is advisable to wait until the lawn is fully developed, as it will give you the best results.
The reason for this being that new lawns will sag a little as it settles so if you were to place them straight away, the stones over time will sit proud of the lawn, which can become a nuisance when mowing.


The first thing t do is lay out the stepping stones on the lawn, spacing them out evenly in the direction you want them.
Once you are happy with how it looks, walk across them to make sure the spacing of the stones is comfortable to walk.
When you are satisfied, using a spade, cut around the edge of the first stone.
Now move the stone to the side and remove the grass sod you have just cut out.
Remove some of the soil if necessary, as the depth you are aiming for is about two inches below the thickness of the stone.To finish, put a few lumps of mortar mix in the hole and place the stone on top.
Then using a rubber mallet, tap stone down till it is flush with lawn level.








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